Sacred Dance Guild Journal
Since 1958 articles by members & guests offer news about activities, history, Sacred Dance practices, profiles of Sacred Dancers, choreography, images & illustrations.
Surfing the Creative Rites of Passage Camps are a contemporary example of how the creative process, rooted in dance, assists in the healing, initiation, education, and mentorship of young people as they move into right action. Emerging leaders come by choice to journey through this process that begins as a 12-day camp and grows into a life path for many.
Thank you for joining me as together we enter the Sacred Ground between us and thank you for taking this time to explore the healing power of our most precious gift of Sacred Dance.
by Ilene A. Serlin, Ph.D, BC-DMT Over the course of the last twenty years, I have had the opportunity to get more experience working with intergenerational trauma, starting in Israel in 1986 through Dr. Vivien Marcow Speiser and Lesley University.…
The dance that evolves from my practice is a Sacred dance that embodies all the struggles and empowerments of selfhood and identity as well as the liberation of transcendence. These experiences are all interwoven and are integral to my divine journey.
I am obsessed with the Divine Dance. My dance led and moved me from childhood, into the UCLA Dance Department, through seminary and seminary teaching, into Body and Soul Dance Company, and on to cofound InterPlay with Phil Porter.
Our bodies are the earth. The earth is our body. In my practice of walking, dancing and writing in connection to the landscape and seascape is where I keep living these words.
Learning Shakuhachi was the big lesson for this life. I again learned the feeling of connection to the earth. Watching, listening, feeling the breath and then the sound and then the silence. Shakuhachi is a type of Zen and it follows the ancient Japanese tradition of Ma, sound and silence, movement and stillness, object and space and it is clearly seen in the traditional brush painting of black paint and white background.
When I reflect on my lifelong dedication to Sacred Dance, I see that all along I have been motivated by the longing to worship with others in a way which strengthens community, welcomes the body, and honours women and the earth. The traditional circle dances I’ve been researching for 35 years have been the golden thread guiding me on this journey. The dances represent a living lineage of indigenous European wisdom, in harmony with that of non-European peoples, and the values they embody are exactly the values we need to rekindle now, as we face a critical crossroads in human history.
Dancing Nia is not only pleasurable, healthy, and strengthening for the body and mind, but it can be an incredibly powerful, active force that moves your life in a different direction.
Moving Mandalas – an amazing adventure dancing mandalas from Ottawa Canada to Bali Indonesia.
Sacred Dance Guild Journal 