Historic Notes by Toní Intravaia From the Sacred Dance Guild Newsletter Fall 1957, Volume 9, Number 1 Praise the Lord with Dance by Pixie Hamond “Praise the Lord with the dance” is more than a scripture verse to many dance…
Sacred Dance Guild Journal
Since 1958 articles by members & guests offer news about activities, history, Sacred Dance practices, profiles of Sacred Dancers, choreography, images & illustrations.
Historic Notes by Toní Intravaia From the Sacred Dance Guild Newsletter Fall 1957, Volume 9, Number 1 Praise the Lord with Dance by Pixie Hamond “Praise the Lord with the dance” is more than a scripture verse to many dance…
A Benefit Concert for “Dancers ” in Armenia & Croatia Sponsored by The Sacred Dance Guild & the North East Dance Retailers Association We did it again! Seven different dance groups from the Boston area gathered to perform in the…
The following is an excerpt from my chapter in the book, Dancing on the Earth The capacity for dances of the spirit to impact those who witness it was revealed in a recent experience of our Leaven Dance Company. It…
From the Sacred Dance Guild Newsletter Fall 1975, Volume 19, Number 1 The Significance of Religion in the Dance by Wincie Ann Carruth It is necessary to formulate a definition of religion. Havelock Ellis says that the quintessential core of…
Body Prayers, throughout the centuries and from many varied traditions, have been both simple and complex. They just have to combine physical movement, meditation, rhythm and repetition as a way of integrating Divine energy into our lives. Body Prayers include…
We’re now ready to dance into the EXPANSION necessary for our SDG to continue its special task of educating, resourcing, and networking all types of global Sacred Dance in these modern technological times. It will take two to four times…
For our Sacred Dance Guild’s 50th Anniversary in 2008, Emmalyn Moreno, a SDG Lifetime Member from San Luis Rey, California, wrote, choreographed and recorded our 50th Anniversary Festival Song, “MOVING MYSTERIES.” Going on three years later, our SDG Board of…
I may not have dancing feet, but I do dance: I dance with my eyes. I dance with my arms. I dance with my heart. I dance with my memories. My non-dancing feet guide me to a studio where I…
Some of you may recall my effort to get the United States Conference of Catholic Bishops (USCCB) to affirm the use of dance as an appropriate, desirable, and affective form for worship. This effort began in 2001 and is still…
A Time for Sacred Dance by Ruth Rayton: “Dance, the response of man to life-meanings, is one of the most basic expressions of the total person. Paul Tillich has said, ‘Religion is man’s total response to his creator. The sacred…